A Repurposed Statue

The world is in a constant state of upheaval and in recent years we’ve seen various uprisings and societal collapses. What often goes along with that is the destruction of public statues and monuments representative of a formerly oppressive regime.

Statues tend to be heavy things, so when they’re not being dragged into Bristol docks, they’re often dismantled using cranes.

I’ve often been struck by the powerful images of statues of dictators being removed from their plinths, hoisted high in the air, by a chain round their neck. There’s something very brutal and precarious about this image - like a metaphorical lynching of the oppressor.

For this work I propose a temporary (could be permanent) public sculpture that consists of a removed-statue, hanging by a chain round its neck, dangling from a crane.

A Repeatable Action-Work

Every artist needs a simple action-work that they can do anywhere, anytime (for example, on arrival somewhere), which transforms a fairly modest moment into a moment of creativity, capturing something of that moment and lending it significance (even if it doesn’t really have any).

Something like:

Balling/screwing-up a blank piece of A4 paper, then photographing it in-situ.

Keeping the disposable cup from the first cup of coffee you drink in a new destination.

Sending a postcard to your dead Grandmother’s last address.

In some ways, it doesn’t really matter what the action is, it’s just a physical representation of a moment. The success of a work like this exists in the repetition. One balled-up and photographed piece of A4 is photograph of a piece of trash, whereas 100 photographs of balled-up pieces of A4 in different locations becomes a marker of time.